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Sharing Heston's apprehension about the sequel was his Planet of the Apes costar Kim Hunter, who saw little to work with in the shooting script, her role of sympathetic chimpanzee scientist Dr. The final screenplay was authored by associate producer Mort Abrahams (the sequel's driving force) and novelist/poet Paul Dehn, author of a volume of apocalyptic verse for children. In the end, a compromise was struck: Heston's performance would frame the central narrative of Beneath the Planet of the Apes (1970), allowing his participation to urge a sense of continuity in the opening scenes and then granting his death wish in the closing frames.
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In a series of treatments and drafts for Beneath the Planet of the Apes - known in preproduction as Planet of the Apes Revisited - contributed by a cadre of writers (among them Serling and even source novelist Pierre Boulle), Taylor lived and died alternatively, boldly fathering a new race of human-ape crossbreeds or piloting a spaceship kamikaze-style into Ape City, thus triggering a nuclear warhead, forever stopping the madness.
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This bleak finish was carried over from the Serling draft to Michael Wilson's initial rewrites but dropped prior to the start of principal photography in the spring of 1967. In one draft of the screenplay signed by Rod Serling, Taylor met his doom when shot by a gorilla sniper at the base of the ruined Statue of Liberty. Not surprisingly, executives at 20th Century Fox choked at the concept but in reality Taylor's death had always been on the table, even as early as preproduction for the original film. Unconvinced of the necessity for a sequel to Planet of the Apes (1968), actor Charlton Heston agreed to appear in Beneath the Planet of the Apes (1970) with the caveat that his character - wayward Earth astronaut George Taylor, last spokesman for the human race in a future world governed by simians - be killed in the first scene. Taylor is shot Brent is killed and, seeing that the apes can easily win, Taylor presses the button which releases the bomb. Nova is killed, along with the mutants' leader. Brent and Taylor try to prevent the detonation of the atom bomb, which they realize is a doomsday machine capable of destroying the world. Meanwhile, the apes attack the city, in spite of the mutants' attempts to repel them. Their guard orders them by telepathy to kill each other, but Nova interrupts the guard's thought, and in the ensuing respite, Taylor and Brent overpower the guard. Brent is captured, interrogated about the planned ape attack, and thrown into a cell with Taylor. The labyrinth is populated by human beings, 40th-century mutations who conceal their disfigurations with masks, worship a live atom bomb, and communicate telepathically. Zira helps Brent and Nova escape into the forbidden zone, and there they stumble onto the subterranean ruins of New York City. They are captured after learning that the militaristic apes plan to destroy the remaining life in the forbidden zone. En route Nova meets another astronaut, Brent, who has been sent to find Taylor, and takes him to Taylor's friends in the city of the apes. Suddenly the earth splits before them, and Taylor vanishes into the rock formation after telling Nova to return to Zira, a scientist and one of the friendly apes who helped them escape. Having escaped from his captors-uniformed gorillas on horseback-Taylor, accompanied by his mute female companion Nova, is riding on horseback over a wasteland, an area feared by the apes as the "forbidden zone," when he encounters the remnants of the Statue of Liberty, half buried in the sand, and he realizes that his 20th-century world has been destroyed. Taylor, an astronaut, has crashlanded on an unknown planet.